The catalogue includes the works displayed in the exhibition, as well as texts by Horacio Pérez-Hita, who explores the frames on display, highlighting their relationship with the paintings they frame; Nadia Hernández, who emphasises the importance of woodwork as a key element in the study of medieval works; and Ignasi Domènech, who analyses Rusiñol’s collection of antique frames, establishing a link between the artist and the collector.